2016: September and the rest of the year…

September

It appears that I watched two films that came out in September.  I had positive feelings about the pair of them but before all that – what happened in the post summer malaise where serious films for serious people start to get wheeled out?

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2016: August

Barack Obama and Heath Ledger are equally difficult acts to follow

August

The end of the summer seemed to mark a return to quality. Or it would have done if Warner hadn’t released the teenage marketing machine that was Suicide Squad. A film that so desperately wished it was zany, wacky and edgy that it genuinely made me cringe with its pandering. It used a collection of extraordinarily on-the-nose pop/rock songs pumped over a neon imitation Banksy with the clinging awkwardness of your dad dancing with you at your 18th Birthday.  All of that bravado, all of the cloying, screeching ache for attention couldn’t distract from a completely run-of-the-mill storyline so dull that it gave up roughly halfway through.

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2016: March & April

March

Did you know that Badlands director Terrence Malick released a film this year? No, me either. Based on the $500,000 takings no one else knew about Knight of Cups. Regardless of that odd information, this is the month that some very loud, very stupid things happened. London Has Fallen effectively remade its predecessor and a lot of loud noises as a different range of landmarks fell about the place. Summit Entertainment continued to flog its Divergent horse, pushing Shailene Woodley into some increasingly tortured young adult fiction nonsense. But all that was overshadowed by the monstrously cretinous entry into our superhero addled brains when Batman v Superman: Dawn of Justice landed on our screens. A riotously fractured film made of adolescent dreams and the scent of desperation. It made money. Sort of. But people didn’t really like it. It made very little sense.

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2016: January

Grab ’em by the puritancals…

2016 certainly happened, didn’t it? Ignoring a global lurch to the right wing and the bold rebirth of European nationalism, it happened on screens as well. Here’s the first part of a review of the year with highlights of the films I actually managed to watch. Read it.

It is, at the very least, well intentioned.

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