I really enjoy computer games. Love ’em to bits (or bytes) I do. I do not have the same reaction when confronted with a film adaptation of a computer game. With trepidation I slipped in the Hitman disc. I’ve actually played a couple of the games and enjoyed them, as exercises in planning and, literally, executing a strategy they don’t have much in the way of a rival. The cold clean nature of the game and the main character is ideal for a game about killing, because that’s what it is. It’s a refined virtual killing engine, and a very good one. The over-arching plot of the games is reproduced here in the film; Agent 47 (Timothy Olyphant) is a bald, genetically engineered, assassin with a barcode on the back of his head. He works for the shadowy ‘organisation’ who give him assassination targets. When one appears to go a bit tits-up the organisation turn on 47 and he has to kill his way to the truth, so far so cliché. Along the way he picks up the pleasingly proportioned tart-with-a-heart Nika (Olga Kurylenko) who engenders a little bit of human emotion in the cold hearted killer. It’s all very flashy, an explosion or fight is never far away but the whole thing gets quite confusing in the middle – to the point where I got a bit confused. I’m not usually easily confused but there was a pretty big chunk where I was a bit clueless as to who was working for who and why. Needless to say the bad people were swiftly dispatched so it didn’t matter too much. The whole thing is pretty empty and soulless a bit like Agent 47 himself and unfortunately for the film-makers a little too close in spirit to the game.